Chapter 2: Features of a Puranam.
Suta said:
1 Blessed am I, and deeply honoured! I have been rendered pure of blemishes by you, Worthy gentlemen! You have requested me to narrate the stories that will grant merit, and are great, sanctified like Veda.
2 I shall narrate them, equal in secrecy and sanctity to Veda, and the best of knowledge and tradition.
3 Bowing to the lotus feet (of my Guru Vyasa) before which Brahma and other gods bow, I shall tell you, O Brahmins, the best among Purana-s known in the name of the Goddess, that will grant liberation, full of various emotions, with full devotion.
4 She, who is portrayed in Veda as the embodiment of Knowledge, who shines forth always as the Primordial Energy, in whom is vested all knowledge and competence to remove the misery of worldly existence, She who prevails as the inmost essence of all that exists, She who is unknowable to the evil-minded, and who is immediately perceptible to the sages who meditate on Her, may that Goddess grant all accomplishments.
5 I recall that Mother of the Universe who creates the worlds of form and essence and protects them through Her mastery over three qualities, and who, when Time ends, retracts these into Her own Blissful Being.
6 It is well-known that Brahma creates this Universe; this has been asserted by ancients who have known Veda. But it is from Visnu’s navel that Brahma emerged, and according to Visnu’s orders that He created it. Brahma is thus not self-empowered by Himself.
7 Visnu was sound asleep on serpent Adi Sesha with a thousand heads. At the appropriate time, the lotus that is Brahma’s seat emerged from His navel. How then was Visnu competent to create the Universe by Himself?
Note: The argument is that Brahma created the Universe, and not Visnu, who was only the base on which Brahma took his seat. Visnu too was not based on Himself, but on the great Serpent Adi Sesha = the First existent that remained (from a previous phase of Universal existence).
8 At Kalpa end, everywhere spread an ocean of water - the essence of all qualitative features (rasam). How could that essence exist without base? It was only the Supreme Energy that provided the support. Therefore, in Her, who remains as the essence of Power in all beings, the Mother of the Universe, do I take refuge.
Note: The argument is that qualities imply form and substance, and therefore require a substratum. Only Power in the abstract, without form or mass, can be the ultimate base and that is the Goddess.
9 While Visnu was still immersed in the sleep of Yoga, and Brahma seated in his lotus, praised that Goddess; in Her, the Mother of the Universe do I take refuge.
10 Let me meditate on that Goddess, who is without qualities, but when indulging in Her Maya, appears as endowed with qualities and as Granter of liberation. And then, O sages gathered here, you may listen to me.
Note: When formless, She is pure Energy, but by Maya (illusion), She appears as if She adopts differentiation in form and substance; and then, She is the Granter of liberation to those who seek refuge in Her.
11 Best above all and full of merit is Srimad Bhagavatam Puranam,with 18,000 verses, full of meaning.
12 In this best of books composed by Krsna Dvaipayanan, there are 12 Sections and 318 Cantos.
13-17 The first Section has 20, the second 12, the third 30, the fourth 25, the fifth 35, the sixth 31, the seventh 40, the eighth 24, the ninth 50, the tenth 13, the eleventh 24, the twelfth 14 Cantos. Thus Vyasa has composed it with 318 Cantos and 18000 verses.
18 A Purana must contain five features, sargam, pratisargam, vamsam, manvantaram, & vamsanucaritam.
Please see under verse 14 Canto 1 above.
19-21 That Supreme Godess is Eternal, Omnipresent, never subject to emotions, of the essence of auspicious appearance, and can be reached only thro’ Yoga. That Goddess, who is present in the Fourth or Extreme (turīya) stage of consciousness, appears in three different Feminine forms of Energy as Mahalaksmi, Sarasvati and Mahakali. Those discourses accepting these three manifestations as ultimate reality represent the feature known as ‘Sargam’; so opine the wise.
Note: In other words, sargam is the “theme”.
22 Next in the discourse is the origin of Visnu, Brahma and Rudra, representing protection, creation and destruction respectively. This designates the feature “Pratisargam”.
Note: In other words, the subordinate or supporting theme.
23 The tracing of the stories of those originating in the lineages of the Sun and of the Moon, and of the lineages of characters like Hiranyakasipu form the feature Vamsavali.
24 The description of Epochal characters (Manu-s) like Svayambhuva and others, and the determination of their time periods, is what Manvantara consists of.
25 The description of their lineages is Vamsanucaritam. O Sages, all Purana-s have these five features.
26 The Mahabharatam, consisting of 1,50,000 verses was also composed by Vyasa. It is called itihāsa, and is like Veda, and known as the Fifth Veda.
Saunaka said:
27 Which are the Purana-s? How many of them? We are eager to hear the details, Omniscient Suta!
28 Frightened as we are of the Kali Age, we have sought refuge in Naimisaranyam, because Brahma had given us a “wheel” of protection and told us.
29 “Follow that wheel. Where it falls and shatters, know that that place is sacred.
30 Kali will never enter there. You may stay there, performing penances, till Satya Yugam comes again”.
31 Obeying Brahma’s words, desirous of seeing many lands, we rolled that wheel and set off behind it.
32 Arriving here, the wheel broke apart under our eyes. We understood that we were at Naimisaranyam.
33 Kali cannot enter here. I made it my abode. Other great sages and realized souls gathered round me.
34 We are conducting our penances without sacrificing animals. We make do with substitutes. We will improvise according to the times until the Satya age comes round again.
35 By our great good fortune, O Suta, you have come to us. Please recite to us that great Puranam, which is equal in significance to Veda, and full of merit.
36 We are all eager to listen; and you are most intelligent. We have no other thought and are all attention.
37 May you live long and be without sin. Begin at once to recite the auspicious story to us.
38 Recite that story in which Vyasa has shown where dharma, kama, etc., have been described, and where he has demonstrated how knowledge properly used will lead to liberation.
39 We have not had enough of listening to the tales told by the saint Dvaipayana.
40 Please expound to us that Puranam that is the repository of all good qualities, is sacred and as varied as the “performances” of the Mother of the Universe, and will destroy all the accumulated sins of the world, caused by the implantation of desire – Please tell us about that Goddess who is the origin of all.
Note: The original has, (second line): “akhilabhuvanamātur nātyavidyat vicitram” = varied as if it is the drama enacted by the Mother of the Universe. Saunaka the Jnani (realized soul) understands that the variations of the observed Universe are but the Maya – illusion caused by the Goddess Herself. “nātya” implies pretence, hiding the real behind something that is not real, but is projected as if it were indeed real – i.e., māya, illusion! Saunaka also indicates that “desire" is the deep cause, the kandam = “seed”, of sin – nikhilamalagaņānām nāśakrt kāmakandam.
Thus the Second Canto of the First Book of the Sri Devi Bhagavatam.